Paysage de Vaucluse No. 3 - 1953 Framed Poster | Nicolas de Stael Framed Prints Wall Art | Nicolas De Stael Shop

Paysage de Vaucluse No. 3 - 1953 Framed Poster | Nicolas de Stael Framed Prints Wall Art | Nicolas De Stael Shop

21x29.7 cm / 8x12" / White frame
Sale price  KHR1,081,168.21 Regular price  KHR1,247,508.18
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Paysage de Vaucluse No. 3 - 1953 Framed Poster | Nicolas de Stael Framed Prints Wall Art | Nicolas De Stael Shop
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Paysage de Vaucluse No. 3 - 1953 Framed Poster | Nicolas de Stael Framed Prints Wall Art | Nicolas De Stael Shop

Sale price  KHR1,081,168.21 Regular price  KHR1,247,508.18
Size
Frame

Paysage de Vaucluse No. 3 (1953) by Nicolas de Staël – Museum-Quality Framed Poster

Discover the luminous landscape that defined Nicolas de Staël's final years. Paysage de Vaucluse No. 3, painted in 1953, captures the sun-drenched hills of Provence with de Staël's signature thick impasto and vibrant palette. This museum-quality reproduction invites you to own a piece of art history, meticulously crafted for the discerning collector.

Our framed posters are produced using masters edition, museum-quality paper (250 gsm) with a matte, uncoated finish, ensuring every brushstroke and color nuance is faithfully rendered. The sturdy pine wood frame available in white, wood, dark wood, and black is ready to hang with included hardware. Shatterproof plexiglass protects your artwork, while FSC-certified sustainable materials reflect our commitment to responsible curation.

Nicolas de Staël's landscape abstractions are celebrated for their emotional intensity and technical innovation. In Paysage de Vaucluse No. 3, he distills the essence of the Provençal countryside into a mosaic of color and texture, bridging abstraction and reality. This fine art print offers an intimate encounter with his genius, perfectly sized for any space.

Elevate your walls with an archival masterpiece that endures. Explore our full Nicolas de Staël framed posters collection to find more inspired works.

What is the paper quality of the Paysage de Vaucluse No. 3 framed poster?

It uses 250 gsm (110 lb) museum-quality paper with a matte, uncoated finish, offering a natural white tone and exceptional color accuracy for fine art prints.

Is the frame ready to hang?

Yes, each framed poster includes a hanging kit and arrives ready to hang. The pine wood frame is sturdy and available in four colors to suit your decor.

How is the poster protected?

The poster is shielded by shatterproof plexiglass, ensuring it stays pristine while providing a safe, glare-free viewing experience.

What sizes are available for this artwork?

We offer four sizes to fit various spaces. Choose from small to large formats, all maintaining the artwork's proportions and detail.

What frame types can I choose?

Select from white, wood, dark wood, or black pine wood frames. Each frame is 20-25mm thick and 10-14mm wide, complementing the artwork's aesthetic.

Is the paper sustainable?

Yes, the paper is FSC-certified or equivalent, reflecting our dedication to environmentally responsible art reproduction.

What if my framed poster arrives damaged?

We offer a free return or replacement for any item damaged in transit. Simply contact our customer service for a hassle-free resolution.

How does this print differ from a standard poster?

This museum-quality reproduction uses archival-grade paper and precise color matching, ensuring a faithful representation of de Staël's original work.

Can I hang this poster in a bathroom or humid area?

While the frame and plexiglass offer some protection, we recommend avoiding high-humidity areas to preserve the print's longevity.

Is the artwork true to the original colors?

Absolutely. Our printing process is calibrated to capture the vibrant hues and subtle textures of de Staël's Paysage de Vaucluse No. 3.

What is the historical significance of Paysage de Vaucluse No. 3?

Painted in 1953, it reflects de Staël's transition to landscape and his mastery of impasto, capturing Provence's light and form in abstract blocks.

Who was Nicolas de Staël?

Nicolas de Staël (1914-1955) was a Russian-French painter known for his abstract landscapes and thick application of paint, influencing post-war art.

What technique did de Staël use in this artwork?

He employed heavy impasto, layering paint with a palette knife to create textured, mosaic-like surfaces that blend abstraction with landscape.

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